RENDERED BY THREE GREATS:
SMT MS. Subbhulakshmi
Shri Musiri Subramania Iyer , And
Smt. R Vedavalli
Rendered by Smt. MS Subbulakshmi:
MSS 136-praNataarti hara -Ragamalika
Rendered by Shri. Musiri Subramania Iyer:
Musiri 013-Prananarthi_Ragamaliga
Rendered by by Smt. R.Vedavalli .
A complete rendition of the entire 72 Melaragamalika composition of Maha Vaidyanatha
Sivan, in its original format, Rendered by by Smt. R.Vedavalli .
R. Vedavalli
Here is the 72 melakartha ragamalika of MahaVaidyanatha Sivan rendered by Smt. Vedavalli.
Veda 001-72 Melakartha Ragas Smt. vedavalli
Media Fire link to above:( Video files)
http://www.mediafire.com/?sharekey=0b1c9ad78eefb549b94117dade8fc2951d61ad542a11363977b784fef9ed9be3
"72 - Melaragamalika' is the longest single composition with lakshana and
lakshya value which Maha Vaidyanatha Iyer is said to have completed in one
week's time."-The Hindu, Friday, Dec 30, 2005.
These compositions are in praise of Lord Pranatharthi Hara and His Consort Dharmasamvardhini.
Smt. R Vedavalli-
LYRICS are given below:
72 mela raga malika of maha vaidyanatha iyer
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
*******************************
Transliteration:
A A i I u U R. L e E ai O au M
K kh g gh .n
C ch j jh ~n
T Th d dh N
T th d dh n
P ph b bh m
Y r l v
S' S s h
*******************************
In each stanza, the raga mudra is incorporated by the composer
Using the art of ``s'lesam''. I ( PP Narayanaswami) have enclosed the raga name
That appears in each stanza using flower brackets for easy
Identification. (for example: vakulabharanam appears in the line
De{vakulabharano}ddharaka s'ri-
^^^^^^^^^^^^^
P. P. Narayanaswami (swami@fermat.math.mun.ca)
**************************************************************
Pallavi (ragam -- s'ri)
^^^^^^^
Pranatartihara prabho purare
Pranava rupa sampade pade
Pranamami {s'ri} prakrti preraka
Pramatha ganapate pade pade
Anupallavi/caranam) --- ((72 mela raga malika)
^^^^^^^^^^^^^^^^^^
S'uddha madhyamam (1 - 36)
^^^^^^^^^^^^^^^^^
{kanaka.ngya} ramaya pujita
Sanakadi priya krpalaya
{ratna.ngya} dharmasamvardhanya
Ramana mam paripalaya
{ganamurti}riti dhanas'astra
Manamurdhanyair-gadito'si
S'ri{vanaspati} dala samarcanena
Pavana bhaktair vidito'si
{manavti}bhih smrtibhirukta karma
Krn- manava papam varayasi
{tanarupi}nam tvam bhajanti ye
Taramupadis'am starayasi
Deva{senapati} janaka nila-
Griva sevaka jana posana
Hanuma{todi}ndimabhavam stuvathah
Sutanumato dada-bhuti bhusana
Bhanu koti samkas'a mahes'a
{dhenuka}sura maraka vahana
Ananda{natakapriya}mara vara
S'rinandanatavi-havyavahana
{kokilapriya}mra kisalaya.nga
Gokulapalana patu bhaya bha~njana
Bahu{rupavati}ha bhavan mam muhur-
Muhururjita bhakta jana ra~njana
Dhirabhadrakhya {gayaka priya}
Virabhadradi palita s'arana
De{vakulabharano}ddharaka s'ri-
Vasudeva kulabharana nata carana
Jita{maya malava gaula}ntar-
Gata mahes'ah tvam vindanti
{cakravaka} kucardha.nga tvatkrpaya
S'ukra vakpati surah nandanti
Tejasa jita{suryakantya} gaurya
Ojasatula pratapa
S'ubhakara {hatakambari} s'ara
Abja nibha kara hata bhakta paritapa
{jhamkaradhvani} yuta mala dhara
Tam kara dhvani yuta capa
Maha{natabhairavi} maruti
Bharati sahaya devair-nata kopa
S'iva nat{kiravani} vas'aga
Bhavana iva vasa me manasi
{kharaharapriya}M Alokya paratpara
Hara dayaya palitavanasi
{gaurimano hari}dambara satatam
Gauriva vatse ramate bhavati
Yosau-{(v)arunapriya}dityah tam
Tva sa s'rutiranata bhavati
{mara ra~njani} varada nirahamkara
Jana muktais-tvam stuvanti
{caru ke s'iva}li.ngam anarcya
Meru dhanvan sukhamapnuvanti
{sarasam gi}tim kirtim dis'a me
Tarasa a.ngikrta hata madana
{harikambhodhi} sambhavamara
Durita nivaraka smita vadana
{dhira s'ankarabharana}samam tvam
Ghora s'a.nkaya no jane
J~nanaganam krtavatam varada
S'ri{naganandini} jane
{yagapriya}mara tyagapriyam vidhim
Dragapriyena s'iksitavanasi
Sadanande tvayi {ragavardhani}M
Muda punitavatim raksitavanasi
S'rita gaja vadana{ga.ngeya bhusani}-
Krta bhujanga nata sura kadamba
{vagadis'vari}-s'riyau yada.nga sambhave
Bhoga moksada jagadamba
{s'ulini} taya dharma vardhanya
Khelasi dayaya sura varistha
Kailasa{cala nata}krd-bhuja
S'aila dan\d daka carana.ngustha
(pranatartihara prabho purare)
Prati madhyamam (37 - 72)
^^^^^^^^^^^^^^^
Pratibimba ra{salaga} phalasama visaya
Iti bimbadharah samtyajanti
Ye bhava{jhalarnavam} samtaritum te
Bhavada.nghri naukam bhajanti
Jhalam {jhala varali}gitamala
Dhara jhalamdharasura maraka
Surada{nava nita}mrta vimukha
Vara dana nirata taraka
Bhoh {pavani} pistasvadana rasika-
Bhupa ava ni pavana sundara
{raghupriya}rcita rajiva carana
Magha pranas'ana bhuja mandara
{gavambhodih} tirna iva maya
Bhavambhodhih tava dayaya
Iha prasanno {bhava priya}tamaya
Saha pramathapa dragumaya
Sarva{s'ubhapantu varali}kataksam
Jurvanugraham tvam vandeham
Sadaya {Sadvidha margini} manuje
Hrdayaga na kurve samdeham
{suvarnam giti}M samupadis'a
Prathama varna.ngikrta vaikuntha
Subalari mukhamara prapujita
{dhavalambari}pater-durdars'a
Surupa{nama narayani} saha cara
Svarupa bhasakadars'a
Dharma {kamavardhani} vilasita
Nirmala.nga s'ubha dayaka
Nita{ram apriya} vadini vimukha
Nata rama agni sayaka
Cidambara{gamana s'rama}paharanam
Kadamba ramana pradiyatam
{vis'vam bhari}tam tvaya'stamurtya
S'as'vad-dhanamadhiyatam
{s'yamala.ngi}krta vamabhaga
Komala.ngaja s'ara bha.nga
{Sanmukha priya}.ngu priya janaka
Hiranya.nga nata s'arabha.nga
Iha {simhendra madhyama}.nga
Narasimha ajinambara
Purahara {haimavati}manohara
Hara raksita sura nikara
Vidita{dharmau- ati}kayajid-ramau
Mudita manah tvam raksitavan
{nitimati} iha jano'tipriyo'si
Pritimati rahitan s'iksitavan
S'riyo'dhikam tam animadhikam
Payodhi {kantamani} sevitam
Dharma vardhanim sura-{rsabha priya}M
Nirmala bhaktair-bhavitam
Manana s'i{lata.m gi}rvanapateh
Janana varjitamuktavatim
Bhumisu {vacaspati} sambandha
Svamine j~nanam dattavatim
{me ca kalyani}M vacam dis'atim
Mocaka dayinim ramase
Vi{citrambari}Sa varada bhaga
Sa citragupta yamagah ksamase
{sucaritra}mukha sa.ngita
Sucaritra mukharita vadya
{jyoti svarupini} tvayi prasanne
Bhati svarupam kim nadya
{dhatuvardhani}M tavabhidhasudham
Patu kamini mama rasana
Sukhe{nasika bhusanam} hi satam
Mukhe nasikeva vivasana
{kosala}pah tva'' pujyagham hitva
Sabhapate mumude hi
Bhaktapadana {rasika priya}
Tyaktapadanandam mama dehi
(pranatartihara prabho purare)
A confluence of Art and Music depicted by Shri S Rajam -Twelve paintings illustrating Venkatamakhi’s melakartha scheme by classifying the 72 mela ragas into 12 chakras of Music the mind body and soul
look at this link: Copy and paste:
Mind body and soul
http://www.saigan.com/heritage/music/Melakartha%20Raga%20Booklet%20-%20new.pdf
**************************************************************
SMT MS. Subbhulakshmi
Shri Musiri Subramania Iyer , And
Smt. R Vedavalli
Rendered by Smt. MS Subbulakshmi:
MSS 136-praNataarti hara -Ragamalika
Rendered by Shri. Musiri Subramania Iyer:
Musiri 013-Prananarthi_Ragamaliga
Rendered by by Smt. R.Vedavalli .
A complete rendition of the entire 72 Melaragamalika composition of Maha Vaidyanatha
Sivan, in its original format, Rendered by by Smt. R.Vedavalli .
R. Vedavalli
Here is the 72 melakartha ragamalika of MahaVaidyanatha Sivan rendered by Smt. Vedavalli.
Veda 001-72 Melakartha Ragas Smt. vedavalli
Media Fire link to above:( Video files)
http://www.mediafire.com/?sharekey=0b1c9ad78eefb549b94117dade8fc2951d61ad542a11363977b784fef9ed9be3
"72 - Melaragamalika' is the longest single composition with lakshana and
lakshya value which Maha Vaidyanatha Iyer is said to have completed in one
week's time."-The Hindu, Friday, Dec 30, 2005.
These compositions are in praise of Lord Pranatharthi Hara and His Consort Dharmasamvardhini.
Smt. R Vedavalli-
LYRICS are given below:
72 mela raga malika of maha vaidyanatha iyer
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
*******************************
Transliteration:
A A i I u U R. L e E ai O au M
K kh g gh .n
C ch j jh ~n
T Th d dh N
T th d dh n
P ph b bh m
Y r l v
S' S s h
*******************************
In each stanza, the raga mudra is incorporated by the composer
Using the art of ``s'lesam''. I ( PP Narayanaswami) have enclosed the raga name
That appears in each stanza using flower brackets for easy
Identification. (for example: vakulabharanam appears in the line
De{vakulabharano}ddharaka s'ri-
^^^^^^^^^^^^^
P. P. Narayanaswami (swami@fermat.math.mun.ca)
**************************************************************
Pallavi (ragam -- s'ri)
^^^^^^^
Pranatartihara prabho purare
Pranava rupa sampade pade
Pranamami {s'ri} prakrti preraka
Pramatha ganapate pade pade
Anupallavi/caranam) --- ((72 mela raga malika)
^^^^^^^^^^^^^^^^^^
S'uddha madhyamam (1 - 36)
^^^^^^^^^^^^^^^^^
{kanaka.ngya} ramaya pujita
Sanakadi priya krpalaya
{ratna.ngya} dharmasamvardhanya
Ramana mam paripalaya
{ganamurti}riti dhanas'astra
Manamurdhanyair-gadito'si
S'ri{vanaspati} dala samarcanena
Pavana bhaktair vidito'si
{manavti}bhih smrtibhirukta karma
Krn- manava papam varayasi
{tanarupi}nam tvam bhajanti ye
Taramupadis'am starayasi
Deva{senapati} janaka nila-
Griva sevaka jana posana
Hanuma{todi}ndimabhavam stuvathah
Sutanumato dada-bhuti bhusana
Bhanu koti samkas'a mahes'a
{dhenuka}sura maraka vahana
Ananda{natakapriya}mara vara
S'rinandanatavi-havyavahana
{kokilapriya}mra kisalaya.nga
Gokulapalana patu bhaya bha~njana
Bahu{rupavati}ha bhavan mam muhur-
Muhururjita bhakta jana ra~njana
Dhirabhadrakhya {gayaka priya}
Virabhadradi palita s'arana
De{vakulabharano}ddharaka s'ri-
Vasudeva kulabharana nata carana
Jita{maya malava gaula}ntar-
Gata mahes'ah tvam vindanti
{cakravaka} kucardha.nga tvatkrpaya
S'ukra vakpati surah nandanti
Tejasa jita{suryakantya} gaurya
Ojasatula pratapa
S'ubhakara {hatakambari} s'ara
Abja nibha kara hata bhakta paritapa
{jhamkaradhvani} yuta mala dhara
Tam kara dhvani yuta capa
Maha{natabhairavi} maruti
Bharati sahaya devair-nata kopa
S'iva nat{kiravani} vas'aga
Bhavana iva vasa me manasi
{kharaharapriya}M Alokya paratpara
Hara dayaya palitavanasi
{gaurimano hari}dambara satatam
Gauriva vatse ramate bhavati
Yosau-{(v)arunapriya}dityah tam
Tva sa s'rutiranata bhavati
{mara ra~njani} varada nirahamkara
Jana muktais-tvam stuvanti
{caru ke s'iva}li.ngam anarcya
Meru dhanvan sukhamapnuvanti
{sarasam gi}tim kirtim dis'a me
Tarasa a.ngikrta hata madana
{harikambhodhi} sambhavamara
Durita nivaraka smita vadana
{dhira s'ankarabharana}samam tvam
Ghora s'a.nkaya no jane
J~nanaganam krtavatam varada
S'ri{naganandini} jane
{yagapriya}mara tyagapriyam vidhim
Dragapriyena s'iksitavanasi
Sadanande tvayi {ragavardhani}M
Muda punitavatim raksitavanasi
S'rita gaja vadana{ga.ngeya bhusani}-
Krta bhujanga nata sura kadamba
{vagadis'vari}-s'riyau yada.nga sambhave
Bhoga moksada jagadamba
{s'ulini} taya dharma vardhanya
Khelasi dayaya sura varistha
Kailasa{cala nata}krd-bhuja
S'aila dan\d daka carana.ngustha
(pranatartihara prabho purare)
Prati madhyamam (37 - 72)
^^^^^^^^^^^^^^^
Pratibimba ra{salaga} phalasama visaya
Iti bimbadharah samtyajanti
Ye bhava{jhalarnavam} samtaritum te
Bhavada.nghri naukam bhajanti
Jhalam {jhala varali}gitamala
Dhara jhalamdharasura maraka
Surada{nava nita}mrta vimukha
Vara dana nirata taraka
Bhoh {pavani} pistasvadana rasika-
Bhupa ava ni pavana sundara
{raghupriya}rcita rajiva carana
Magha pranas'ana bhuja mandara
{gavambhodih} tirna iva maya
Bhavambhodhih tava dayaya
Iha prasanno {bhava priya}tamaya
Saha pramathapa dragumaya
Sarva{s'ubhapantu varali}kataksam
Jurvanugraham tvam vandeham
Sadaya {Sadvidha margini} manuje
Hrdayaga na kurve samdeham
{suvarnam giti}M samupadis'a
Prathama varna.ngikrta vaikuntha
Subalari mukhamara prapujita
{dhavalambari}pater-durdars'a
Surupa{nama narayani} saha cara
Svarupa bhasakadars'a
Dharma {kamavardhani} vilasita
Nirmala.nga s'ubha dayaka
Nita{ram apriya} vadini vimukha
Nata rama agni sayaka
Cidambara{gamana s'rama}paharanam
Kadamba ramana pradiyatam
{vis'vam bhari}tam tvaya'stamurtya
S'as'vad-dhanamadhiyatam
{s'yamala.ngi}krta vamabhaga
Komala.ngaja s'ara bha.nga
{Sanmukha priya}.ngu priya janaka
Hiranya.nga nata s'arabha.nga
Iha {simhendra madhyama}.nga
Narasimha ajinambara
Purahara {haimavati}manohara
Hara raksita sura nikara
Vidita{dharmau- ati}kayajid-ramau
Mudita manah tvam raksitavan
{nitimati} iha jano'tipriyo'si
Pritimati rahitan s'iksitavan
S'riyo'dhikam tam animadhikam
Payodhi {kantamani} sevitam
Dharma vardhanim sura-{rsabha priya}M
Nirmala bhaktair-bhavitam
Manana s'i{lata.m gi}rvanapateh
Janana varjitamuktavatim
Bhumisu {vacaspati} sambandha
Svamine j~nanam dattavatim
{me ca kalyani}M vacam dis'atim
Mocaka dayinim ramase
Vi{citrambari}Sa varada bhaga
Sa citragupta yamagah ksamase
{sucaritra}mukha sa.ngita
Sucaritra mukharita vadya
{jyoti svarupini} tvayi prasanne
Bhati svarupam kim nadya
{dhatuvardhani}M tavabhidhasudham
Patu kamini mama rasana
Sukhe{nasika bhusanam} hi satam
Mukhe nasikeva vivasana
{kosala}pah tva'' pujyagham hitva
Sabhapate mumude hi
Bhaktapadana {rasika priya}
Tyaktapadanandam mama dehi
(pranatartihara prabho purare)
A confluence of Art and Music depicted by Shri S Rajam -Twelve paintings illustrating Venkatamakhi’s melakartha scheme by classifying the 72 mela ragas into 12 chakras of Music the mind body and soul
look at this link: Copy and paste:
Mind body and soul
http://www.saigan.com/heritage/music/Melakartha%20Raga%20Booklet%20-%20new.pdf
**************************************************************
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